the artistic possibilities
of designing with nature

Upcoming events

September 24, 2017
Active artists from the surrounding areas are invited to a group critique and barbeque on Sept 24th at 1:00.  Open to all interested artists.  Call 802 875 2194 or email us here to rsvp.
Design and construct the man-made environment to be in harmony with the natural environment.

Solar Work 1979-82

Solar fantasies

The following sketches are exploration of solar issues and form which led directly to specific systems which were later built, or are still waiting their turn.

A conceptual study for the architect's Vermont house looks at stacking water tanks which are filled from the roof. While waiting to be used, this water, along with its concrete containers, is a fundamental portion of the building's thermal mass. The water could be gravity fed to different levels for different uses. Another idea was a fenestration system for off-axis solar where the size of the opening decreases as it expands eastward and westward, becoming strip windows.


The solar collectors as a building board (to quote Robert Venturi) with all other functions tucked behind is a good model in space planning, as it is ideal for every room to have direct sunlight, but to enhance the expression of this relationship can lead to interesting treatments. To express the collector, to make it the image of the whole building, to advertise "solar energy" as the message of the building board speaks to a new energy future. Further to use this as an element of a larger collage where the pieces become dependant on one another (even structurally and mechanically, as well as visually) makes a more complex message.

Large scale curves are explored as a way of tying vertical, rectilinear elements to the landscape. These curves can create enclosures, like grottos, which can then be glazed as a projecting tent-form; they can be broken into pieces as in Baroque pediments to imply the whole, uniting disparate parts; and they can imply animal forms as well, although if too literal, they can become unintentionally humorous.

Some whimsical ideas, from the excessively monumental to the small and comical, hone the design sensibilities which later sneak their way into built form, possibly always hidden from the architect. The sub layers, while unrecognized, begin to compose, nonetheless, a personal vocabulary

The next three drawings look at ways of integrating a few alternate systems into the architecture. At left is a form study for moving solar heated air over a masonry surface for heat transfer, which would then transfer to water contained inside the concrete (to maximize thermal storage in any given amount of volume). There are two types of crenellated concrete shown. The bottom left shows interconnected passive water systems, and below shows the use of a crenellated greenhouse where water flows over an enlarged surface to be heated.

These last 2 drawings were the point of demarcation for the very long pursuit of the building that is now the Foundation House of the Fourth Corner Foundation. Most of the concepts for energy and water systems have their germination in the above sketches. The program evolved and enlarged over time, and conceptual engagements with the site and architectural history wove their way into the final product. Next came the exploration by physical model.